{"id":22716,"date":"2026-02-28T19:02:32","date_gmt":"2026-02-28T18:02:32","guid":{"rendered":"https:\/\/www.maurozuccante.com\/wordpress\/?page_id=22716"},"modified":"2026-02-28T19:16:43","modified_gmt":"2026-02-28T18:16:43","slug":"sillabari-corali","status":"publish","type":"page","link":"https:\/\/www.maurozuccante.com\/wordpress\/sillabari-corali\/","title":{"rendered":"Sillabari corali"},"content":{"rendered":"
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

A<\/strong><\/h3>\n

AMAO OMI di Giya Kancheli<\/a><\/p>\n

\"\"<\/td>\n

\n

B\u00a0<\/strong><\/h3>\n

BEATITUDES (THE) di Arvo P\u00e4rt<\/a><\/p>\n

\"\"<\/td>\n<\/tr>\n

\n

C<\/strong><\/h3>\n

CH\u00d6RE F\u00dcR DORIS di Karlheinz Stockhausen<\/a><\/p>\n

\"\"<\/td>\n

\n

D<\/strong><\/h3>\n

DEMOS GRACIAS AL SE\u00d1OR di\u00a0Osvaldo Golijov<\/a><\/p>\n

\"osvaldo_golijov\"<\/td>\n<\/tr>\n

\n

E<\/strong><\/h3>\n

\u00c9JSZAKA \u2013 REGGEL di\u00a0Gy\u00f6rgy Ligeti<\/a><\/p>\n

\"\"<\/td>\n

\n

F<\/strong><\/h3>\n

FAYRFAX CAROL (THE) di\u00a0Thomas Ad\u00e8s<\/a><\/p>\n

\"\"<\/p>\n<\/td>\n<\/tr>\n

\n

G<\/strong><\/h3>\n

GOD IS WITH US di\u00a0John Tavener<\/a><\/p>\n

\"\"<\/td>\n

\n

H<\/strong><\/h3>\n

HYMN OF ST. COLUMBA (A) di\u00a0Benjamin Britten<\/a><\/p>\n

\"\"<\/td>\n<\/tr>\n

\n

I<\/strong><\/h3>\n

IN PULVEREM MORTIS di\u00a0Krzysztof Penderecki<\/a><\/p>\n

\"\"<\/td>\n

\n

J<\/strong><\/h3>\n

J\u00c9ZUS \u00c9S A KUF\u00c1ROK di\u00a0Zolt\u00e1n Kod\u00e1ly<\/a><\/p>\n

\"\"<\/td>\n<\/tr>\n

\n

K<\/strong><\/h3>\n

KNEPHAS di\u00a0Iannis Xenakis<\/a><\/p>\n

\"\"<\/td>\n

\n

L<\/strong><\/h3>\n

LULLABIES (THREE) di\u00a0Henryk G\u00f3recki<\/a><\/p>\n

\"\"<\/td>\n<\/tr>\n

\n

M<\/strong><\/h3>\n

MAGNIFICAT di Einojuhani\u00a0Rautavaara<\/a><\/p>\n

\"\"<\/td>\n

\n

N<\/strong><\/h3>\n

NULLI SE DICIT MULIER MEA NUBERE MALLE di Carl Orff<\/a><\/p>\n

\"\"<\/td>\n<\/tr>\n

\n

O<\/strong><\/h3>\n

H\u00c1ROM \u00d6NARCK\u00c9P di Gy\u00f6rgy Kurt\u00e1g<\/a><\/p>\n

\"\"<\/td>\n

\n

P<\/strong><\/h3>\n

PSALM 90 di Charles Ives<\/a><\/p>\n

\"\"<\/td>\n<\/tr>\n

\n

Q<\/strong><\/h3>\n

QUATRE PETITES PRI\u00c8RES DE SAINT FRAN\u00c7OIS D\u2019ASSISE di Francis Poulenc<\/a><\/p>\n

\"\"<\/td>\n

\n

R<\/strong><\/h3>\n

RRRRRRR\u2026 di Mauricio Kagel<\/a><\/p>\n

\"\"<\/td>\n<\/tr>\n

\n

S<\/strong><\/h3>\n

SAR\u00c0 DOLCE TACERE di Luigi Nono<\/a><\/p>\n

\"\"<\/td>\n

\n

T<\/strong><\/h3>\n

TROIS PETITES LITURGIES DE LA PR\u00c9SENCE DIVINE di Olivier Messiaen<\/a><\/p>\n

\"\"<\/td>\n<\/tr>\n

\n

U<\/strong><\/h3>\n

UNENTRINNBAR di Arnold Schoenberg<\/a><\/p>\n

\"\"<\/td>\n

\n

V<\/b><\/h3>\n

VOICES OF NATURE di Alfred Schnittke<\/a><\/p>\n

\"\"<\/td>\n<\/tr>\n

\n

W<\/strong><\/h3>\n

WARM-UP di Leonard Bernstein<\/a><\/p>\n

\"\"<\/td>\n

\n

Y<\/strong><\/h3>\n

YVER di Claude Debussy<\/a><\/p>\n

\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\n
\n

\"\"<\/p>\n

G. Ligeti, \u201cLux aeterna\u201d, manoscritto<\/p>\n<\/div>\n

\n

CRONOLOGIA<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

1908<\/h3>\n<\/td>\n

\n

YVER di Claude Debussy<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

1924<\/h3>\n<\/td>\n

PSALM 90 di Charles Ives\u00a0<\/a><\/td>\n<\/tr>\n
\n

1925<\/h3>\n<\/td>\n

UNENTRINNBAR di Arnold Schoenberg\u00a0<\/a><\/td>\n<\/tr>\n
\n

1934<\/h3>\n<\/td>\n

\n

J\u00c9ZUS \u00c9S A KUF\u00c1ROK di\u00a0Zolt\u00e1n Kod\u00e1ly<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

1943<\/h3>\n<\/td>\n

\n

NULLI SE DICIT MULIER MEA NUBERE MALLE di Carl Orff\u00a0<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

1944<\/h3>\n<\/td>\n

\n

TROIS PETITES LITURGIES DE LA PR\u00c9SENCE DIVINE di Olivier Messiaen<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

1948<\/h3>\n<\/td>\n

\n

QUATRE PETITES PRI\u00c8RES DE SAINT FRAN\u00c7OIS D\u2019ASSISE di Francis Poulenc<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

1950<\/h3>\n<\/td>\n

\n

CH\u00d6RE F\u00dcR DORIS di\u00a0Karlheinz Stockhausen<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

1955<\/h3>\n<\/td>\n

\n

\u00c9JSZAKA \u2013 REGGEL di\u00a0Gy\u00f6rgy Ligeti<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

1960<\/h3>\n<\/td>\n

\n

SAR\u00c0 DOLCE TACERE di Luigi Nono<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

1962<\/h3>\n<\/td>\n

\n

HYMN OF ST. COLUMBA (A) di\u00a0Benjamin Britten<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

1966<\/h3>\n<\/td>\n

\n

IN PULVEREM MORTIS di\u00a0Krzysztof Penderecki<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

1969<\/h3>\n<\/td>\n

\n

WARM-UP di Leonard Bernstein<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

1972<\/h3>\n<\/td>\n

\n

VOICES OF NATURE di Alfred Schnittke<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

1979<\/h3>\n<\/td>\n

\n

MAGNIFICAT di Einojuhani\u00a0Rautavaara<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

1981<\/h3>\n<\/td>\n

\n

RRRRRRR\u2026 di Mauricio Kagel\u00a0<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

1984<\/h3>\n<\/td>\n

\n

H\u00c1ROM\u00a0\u00d6NARCK\u00c9P di\u00a0Gy\u00f6rgy Kurt\u00e1g<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

1987<\/h3>\n<\/td>\n

\n

GOD IS WITH US di\u00a0John Tavener<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

1990<\/h3>\n<\/td>\n

\n

BEATITUDES (THE) di\u00a0Arvo P\u00e4rt<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

1990<\/h3>\n<\/td>\n

\n

KNEPHAS di\u00a0Iannis Xenakis<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

1997<\/h3>\n<\/td>\n

\n

FAYRFAX CAROL (THE) di\u00a0Thomas Ad\u00e8s<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

2000<\/h3>\n<\/td>\n

\n

DEMOS GRACIAS AL SE\u00d1OR di\u00a0Osvaldo Golijov<\/a><\/p>\n<\/td>\n<\/tr>\n

\n

2005<\/h3>\n<\/td>\n

\n

AMAO OMI di Giya Kancheli<\/a><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

A AMAO OMI di Giya Kancheli B\u00a0 BEATITUDES (THE) di Arvo P\u00e4rt C CH\u00d6RE F\u00dcR DORIS di Karlheinz Stockhausen D DEMOS GRACIAS AL SE\u00d1OR di\u00a0Osvaldo Golijov E \u00c9JSZAKA \u2013 REGGEL di\u00a0Gy\u00f6rgy Ligeti F FAYRFAX CAROL (THE) di\u00a0Thomas Ad\u00e8s G GOD … Continua a leggere→<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-22716","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.maurozuccante.com\/wordpress\/wp-json\/wp\/v2\/pages\/22716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.maurozuccante.com\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.maurozuccante.com\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.maurozuccante.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.maurozuccante.com\/wordpress\/wp-json\/wp\/v2\/comments?post=22716"}],"version-history":[{"count":26,"href":"https:\/\/www.maurozuccante.com\/wordpress\/wp-json\/wp\/v2\/pages\/22716\/revisions"}],"predecessor-version":[{"id":22743,"href":"https:\/\/www.maurozuccante.com\/wordpress\/wp-json\/wp\/v2\/pages\/22716\/revisions\/22743"}],"wp:attachment":[{"href":"https:\/\/www.maurozuccante.com\/wordpress\/wp-json\/wp\/v2\/media?parent=22716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}